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Biography of the life of Guillaume Apollinaire.

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Screenwriter Philippe (Duchaussoy) imagines a crime committed by his wife Sylvie (Delon) and a mutual friend Pierre (Serre): a dead body is put in a trunk but the hand sticks out. Sylvie and Pierre begin to have an affair and things get very dangerous and the imaginary crime is on its way to becoming prophetic.

Charles Baudelaire was one of the giants of 19th-century French poetry, and he earned his position among that nation's luminaries through the poems in one slim volume, entitled Les Fleurs du Mal (Flowers of Evil). A perfectionist to the extreme, he struggled with every word of those few poems for many years before he consented to see them published. When he did, six of them were condemned by the state censors as obscene. It was surely a powerful blow to him to have such a significant part of his life's work so rudely suppressed. This courtroom drama follows him at the 1857 trial at which he defended his works. The filmmaker has chosen to symbolically re-enact certain poems about the love of a woman as they are being read for the court. It is easy to imagine that, as was certainly the case for the trial of Oscar Wilde in England, this courtroom trial was a form of punishment for his publicly dissolute lifestyle.

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In a small and rich community where problems revolve mainly around the waste collection schedules, Melinda Phillips, forgotten foe of Blue County, is back. Haunted by a vengeful flame in order to destroy the public image of her sister Daisy, she fiddles with people close to her to bring her down.

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Au départ squat, puis bail précaire, La Main Gauche est un lieu socio-culturel qui existe depuis plus de trente ans à Marseille, dans les quartiers de la Belle de Mai. À La Main Gauche, il n’y a pas de chef·fes, pas de hiérarchie, les portes sont grandes ouvertes à tout le monde et dans les deux sens. C’est le bordel, mais on s’en fout, tout le monde s’engueule, mais on s’aime fort. Oui, mais voilà, La Main Gauche va fermer.

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